Heute möchten wir euch den „Mecanical Curator“ vorstellen. Ein Projekt der British Library Labs. Die Library Labs sollen neue und innovative Methoden entwickeln, die es ermöglichen mit den bereits bestehenden digitalen Inhalten einer Bibliothek zu arbeiten und digitale Inhalte, die eigentlich technisch verfügbar sind, auch wirklich für ForscherInnen zugänglich zu machen.

Auf „The Mechanical Curator” wird jede Stunde automatisch ein zufälliges Bild aus den digitalen Sammlungen der British Library in einem Tumblr-Blog gepostet. Das Projekt ist sehr erfolgreich, bereits in den ersten vier Tagen gab es 55 Millionen Aufrufe. Andere Flickr-NutzerInnen haben die hochgeladenen Bilder mit Schlagworten versehen. So war es der British Library sogar möglich verschiedene Kollektionen aus den hochgeladenen Bildern zu erstellen.

Im Blog der Britisch Library wird zur Veröffentlichung des Projektes folgendes bekannt gegeben:

We have released over a million images onto Flickr Commons for anyone to use, remix and repurpose. These images were taken from the pages of 17th, 18th and 19th century books digitised by Microsoft who then generously gifted the scanned images to us, allowing us to release them back into the Public Domain.

The images themselves cover a startling mix of subjects: There are maps, geological diagrams, beautiful illustrations, comical satire, illuminated and decorative letters, colourful illustrations, landscapes, wall-paintings and so much more that even we are not aware of.

Which brings me to the point of this release. We are looking for new, inventive ways to navigate, find and display these ‚unseen illustrations‘. The images were plucked from the pages as part of the ‚Mechanical Curator‘, a creation of the British Library Labs project. Each image is individually addressible, online, and Flickr provies an API to access it and the image’s associated description.

We may know which book, volume and page an image was drawn from, but we know nothing about a given image. Consider the image below. The title of the work may suggest the thematic subject matter of any illustrations in the book, but it doesn’t suggest how colourful and arresting these images are.

We plan to launch a crowdsourcing application at the beginning of next year, to help describe what the images portray. Our intention is to use this data to train automated classifiers that will run against the whole of the content. The data from this will be as openly licensed as is sensible (given the nature of crowdsourcing) and the code, as always, will be under an open licence.

The manifests of images, with descriptions of the works that they were taken from, are available on github and are also released under a public-domain ‚licence‘. This set of metadata being on github should indicate that we fully intend people to work with it, to adapt it, and to push back improvements that should help others work with this release.

There are very few datasets of this nature free for any use and by putting it online we hope to stimulate and support research concerning printed illustrations, maps and other material not currently studied. Given that the images are derived from just 65,000 volumes and that the library holds many millions of items.

Quelle: Digital scholarship blog

Fazit: Ein spannendes bibliothekarisches Projekt, bei dem es sich lohnt, es im Auge zu behalten.

Aber seht selbst: „The Mechanical Curator“

 

Beitragsbild: Logo des „The Mechanical Curator“. Alle Rechte an diesem Logo obliegen der British Library und den British Library Labs.

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Stefanie Karg

Kunsthistorikerin M.A.
Fachreferentin für Kulturtourismus und -marketing
Arbeitet als wissenschaftliche Mitarbeiterin am Museum Schloss Moritzburg in Zeitz.
Vorstandsvorsitzende von Kultur hoch N e.V.
Stefanie Karg
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